Your cart is currently empty!
Shakespeare’s Histories
Shakespeare’s Histories: Ten Epic Plays at a Breakneck Pace! Recklessly sliced from the Historical Plays of William Shakespeare Adapted, Edited, and Explained by Timothy Mooney
About the Book
Shakespeare’s Histories: Ten Epic Plays at a Breakneck Pace! is an indispensable primer for actors, directors, students and audiences… the fastest, most epic, insightful and funniest introduction to these ten most challenging works of the greatest author of all time!
Shakespeare’s Histories is a rapid-fire retelling of Shakespeare’s ten history plays: KING JOHN, RICHARD II, HENRY IV, PARTS 1 & 2, HENRY V, HENRY VI, PARTS 1, 2 & 3, RICHARD III and HENRY VIII. The text is liberally sprinkled with the most famous and most profound speeches of those great plays, along with full-color portraits of the kings, family trees, maps and clippings from the First Folio edition. It provides historical perspective, fills in crucial gaps of what Shakespeare leaves unsaid (either for political or dramaturgical reasons) and notes the occasional revisions that Shakespeare made to history in the process!
Both PLAY and HISTORY LESSON, Shakespeare’s Histories makes seemingly impenetrable plays easily and immediately accessible! Jumping from Shakespeare’s richest poetry to Mooney’s playfully impetuous perspective, Shakespeare’s Histories isolates the precise facts needed to make characters, plot nuances and levels of intrigue come vividly alive and stick in our heads! It is THE go-to resource to finally “get” these amazing plays!
This book (60-75 minutes in performance) creates a foundation for further exposure to, and study of, any of these ten plays. It provides a singular frame that may free the student/reader/audience/performer to understand the other “twenty nine hours” of dramatic material that comprise Shakespeare’s epic history cycle.
Tim Mooney unlocks the secrets of Shakespeare’s history plays, answering…
- Which King Henry is which?
- Why was King John such a weasel?
- What sets Richard III on his murderous rampage?
- What is Shakespeare avoiding saying about Henry VI and King Charles?
- What is “the most pandering, politically calibrated speech in all of Shakespeare?”
And much more!
Most Shakespeare analyses, companion works and annotated texts strive to explain the LANGUAGE of Shakespeare’s works, while Shakespeare’s Histories provides a baseline understanding of the ACTION of these ten plays. Nuanced study of Shakespeare’s dialogue doesn’t help the reader/actor/audience understand WHY these things are happening, what got us to this point, and where we are going. Shakespeare’s Histories reveals that, while Shakespeare’s Comedies and Tragedies are self-contained, Shakespeare’s Histories can only be fully grasped COLLECTIVELY and SEQUENTIALLY.
While most Shakespeare studies approach the topic with an almost religious reverence, Shakespeare’s Histories is willing to poke gentle fun at these plays and their author. It is decidedly contemporary, and sometimes hilarious in its perspective, filled with ebullient energy and mischievous wit.
About the Author
Timothy Mooney is the author of Shakespeare’s Histories: Ten Epic Plays at a Breakneck Pace! which “cracks the code” on Shakespeare’s most challenging plays, making them accessible to the average, as well as to sophisticated audiences everywhere. Mooney’s acting textbook, Acting at the Speed of Life, is breathing life into stylistic performance at high schools and colleges, while his The Big Book of Molière Monologues has given actors everywhere a new resource for comic classical auditions. Tim has given over a hundred thousand students their first introduction to Molière through his one-man play, Molière Than Thou. He also presents one monologue from every Shakespeare play in his one-man show Lot o’ Shakespeare, along with his collection of some of the most amazing speeches ever in The Greatest Speech of All Time.
Mr. Mooney is the former founder and editor of “The Script Review” and was the Artistic Director of Chicago’s Stage Two Theatre, where he produced nearly fifty plays in five years, which eventually included many new versions of the plays of Molière, featuring Mooney’s impish sense of rhyme. Timothy has now written seventeen iambic pentameter variations of the plays of Molière (most published by Playscripts, Inc.), produced around the world.
Reviews
There are no reviews yet.